
Suppressed Prince album...or Obsidian fighting Nebula Man during a solar eclipse?
The Milligan post is still coming (I radically overestimated my capacity for non-essential work during August, aka Laziness Awareness Month), but here's something looser while that particular brew percolates. I recently re-read this post by Jones of the Jones boys, a list of desirable comics that are currently unavailable in English, and it got me wondering: what are cartooning's equivalents of that moldy musical chestnut, the fabled lost record? Tantalizing works that remain unpublished, unfinished or unrealized potential? So here's a cursory list of lost albums BD. I can already see the obvious gaps (that final issue of Winter Men never actually materialized, right?), so feel free to expand on it in comments.
Big Numbers, by Alan Moore and assorted victims
Approaches the Beach Boys' SMiLE in both mystique and ambition, only with less cheeseburger consumption and no contemptible Mike Love figure for everyone to hate. Even though the series will probably never be completed in any form, I still hope that all the pages from its completed third issue are published some day - Frank Santoro makes the first two sound like a fascinating exercise in masochistic formalism.
Bizarre Boys, by Peter Milligan, Grant Morrison and Jamie Hewlett
Not much is known about this abandoned project, just that it was supposed to be published under Vertigo's Voices banner (a mid-90s bid to encourage more radical personal expression from the imprint's creators, which inspired Kill Your Boyfriend and two thoroughly obscure Peter Milligan one-shots before ending its brief life) and involve much Joycean metafiction in riotous style. But the lineup alone is reason to rue its dissipation. (There were once scans of some unreleased promo art to pine over right here, and they seem to have floated into the same void.)
"Doctor Strange," by Steve Ditko
In Blake Bell's excellent new study Strange & Stranger: The World of Steve Ditko, he writes that a couple issues' worth of completed pages from Ditko's Doctor Strange serial went unpublished after the artist left Strange Tales and Marvel. My copy of the book is currently packed up in a box, but I'm pretty sure Bell also discovered that said art remains in Ditko's hands, so who knows when/if it'll see print.
Sweeney Todd, by Neil Gaiman and Michael Zulli
I know nothing about this beyond the basic primer in Jog's essay on Taboo (where it was originally going to be serialized), and I'm lukewarm towards most of Gaiman's comics except Sandman. But I love musicals, and I'd probably agree with Terry Teachout, who called Sondheim's Sweeney the greatest post-WWII Broadway debutante there is. So how to deal with his shadow? Ignore the stage interpretation, ubiquitous as it is, or engage with it directly? A towering, operatic howl about capital's gore-flecked maw in the hands of Neil Gaiman...yeah, that could be an unintentionally hilarious debacle in the making. I'd still like to have seen how it turned out.
Tintin and Alph-Art, by Herge
Another famous example. I haven't read this either - the posthumously published versions are all incomplete sketches rather than finished work - but it sounds deeply weird. I don't know what represented a greater departure for Herge: dispatching Tintin to tussle with a sinister impresario in the world of, um, modern art, or actually having him meet a girl during the adventure. Tom McCarthy's Tintin and the Secret of Literature contains some great theorizing about this book.
Until the Day of Victory, by Osamu Tezuka
There's probably enough unseen Tezuka comics to fill up a whole list like this. I would guess, however, that only one of them features Mickey Mouse machine-gunning Osaka in his adorable fighter jet. And it's apparently still extant. Can some swashbuckling manga scholar please bootleg this slab of genius?
10 comments:
hey, be quick cause i'm waiting for your Milligan. I'm big Milligan fan, i think, he is the best!
and Bizarre Boys, such a nice name for a book from Milligan and Morrison. Someone says Milligan and Morrrison were lovers.
I doubt it, though behind the closed doors of the hostel on that infamous Italian trip ("dizzy") milligan mentions in his Invissy intro, who knows? I always thought Grant talked the talk in KYBF, but did not walk the walk... what was the other Milligan Voices thing, Chris? Girl was one. The Extremist? The Eaters? Skin?
(You can't even get a bloody torrent of Skin.)
Had no idea there was even promo art for the Bizarre Boys series whose noncreation I recall Morrison describing as Milligan visiting him and then both being unable to think of anything interesting... I always thought of this being a bit like Havok and Cyclops' powers, that they would negate one another.
I can't see promo art. Can you upload it on your blog?
and i always wanna say it: Milligan's Animal Man issues are better than Morrisson's.
Skin and The Eaters were Milligan's two Vertigo Voices books... Girl was part of the Vertigo Vérité line, which sought to promote 'real-world' stories devoid of Vertigo-styled fantasy (which makes the book all the more amusing as a response to Morrison's Kill Your Boyfriend)...
Gaiman's Sweeny Todd (from what little was published) was going to be a typical-for-him story about stories, with a Victorian journalist studying a shady past of Sweeny Todd and Mrs. Lovett figures -- one presumes along the lines of the actual shadowy history of the Sweeny Todd story itself -- and encountering "clandestine wars and secret societies, strange magics and old religions, maps to forgotten cities, lost legacies and dangerous birthrights" in the process (or so went the hype of the day). I'd have rather seen Zulli & Murphy finish The Puma Blues myself...
Gah, I mean Face, not Skin...
You could fill a whole post just with Alan Moore, right? 1963 tops my list.
Would kill to have seen Steve Bissette's Rawhead Rex adaptation finished [or started, really], or Kurtzman and Davis's Christmas Carol project they were shoppping around, or like a full year of Brunetti's Nancy strips...
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